My father had a deep affection for classic comedy. He revered the puckered curmudgeonry of W.C. Fields and could still chuckle at the Marx Brothers’ chaos or an Abbott and Costello routine he’d seen 20 times. He also had a fondness for the old Basil Rathbone/Nigel Bruce films—their pipe-smoke air of mystery and clipped deductive logic. I didn’t quite share his enthusiasm for those Holmes and Watson pairings, but I admired his unwavering loyalty to them.
My mother, meanwhile, adored musicals. She loved the hokey charm of Mickey Rooney and Judy Garland in the “let’s put on a show” era of MGM. And she held a special place for the polish and precision of My Fair Lady. But it was The Sound of Music that most captivated her. The soundtrack album played endlessly in our home as she tended to chores like washing the windows or scrubbing the kitchen floor.
And so we watched, together, my parents and I. Long before video stores or on-demand streaming, we made a ritual of the occasional network broadcast. If Duck Soup or Seven Brides for Seven Brothers was scheduled, we circled the date in the TV Guide. It was appointment viewing in the truest sense. The screen was small, the signal sometimes fuzzy, and the commercials maddening—but we were there, side by side, letting the flickering images do their quiet work.
What My Favorite Films Reveal About Me (That I Might Not Have Realized)
It wasn’t until recently—reflecting on a list of my favorite films—that I noticed how deeply those early viewings shaped not just my tastes, but something more foundational: my values, my worldview, even the rhythm of how I process life’s ambiguities. Here’s that list, roughly in the order they came to mind:
- It’s a Wonderful Life
- Casablanca
- North by Northwest
- 12 Angry Men
- Schindler’s List
- To Kill a Mockingbird
- The Shawshank Redemption
- The Silence of the Lambs
- The Empire Strikes Back
- Jaws
- Fantasia
At first glance, it’s an eclectic grouping: courtroom dramas, war epics, noir-infused romances, a horror-thriller, some adventure, a touch of sci-fi, and a wordless visual symphony scored by classical music. However, after sitting with the list for a while, I began to notice a different kind of pattern.
Moral Clarity in a Murky World
A number of these films—Mockingbird, 12 Angry Men, Schindler’s List, and It’s a Wonderful Life—center on protagonists standing firm in the face of apathy, cruelty, or institutional pressure. They don’t always win. But they speak up. They take the lonely stance. And they remind the viewer (or maybe just reassure him) that decency is still a viable strategy in a world that doesn’t always reward it.
I don’t think I’ve ever consciously modeled myself after George Bailey, Atticus Finch, or Juror #8. But I’m drawn to them for a reason. Their quiet strength suggests a kind of integrity I aspire to: not flashy, not heroic in the caped sense, but fundamentally committed to fairness. Even when it hurts.
Intellect, Subtext, and Restraint
Other films on my list—Casablanca, Silence of the Lambs, Shawshank—speak in code. They’re populated with characters who outthink rather than outfight their adversaries. They rely on wit, persuasion, and careful timing. These are films where subtext matters as much as dialogue—where a look, a pause, or a choice not to speak carries enormous weight.
This suggests something about me I may not say aloud: I value intellect over force. I like watching people reason their way through chaos. And I respect stories that allow ambiguity to linger.
But Then There’s Fantasia
The inclusion of Fantasia might seem like an outlier—no courtroom, no villain, no plot. But it’s crucial to understanding the whole.
Fantasia brings something wordless into the mix: a yearning for transcendence, a craving for art that bypasses the brain and goes straight to the bloodstream. It’s abstract, reverent, experimental, and occasionally a little scary. And I love it, as not only a movie devotee but also as a musician.
In fact, the more I think about Fantasia, the more I realize it belongs on this list not in spite of the others, but because of them. It reveals the hidden architecture beneath my taste: I don’t just want to be entertained. I want to be transported. I want to feel something. Awe. Grief. Justice. Wonder. Dignity. The urge to do better.
What These Films Whisper About Me
I wouldn’t have been able to articulate this at age14, watching North by Northwest reruns or waiting for Jaws to finally air on broadcast (I did see it at its original release, but months after the summer mania over it had passed). But these films have become part of the scaffolding of my inner life. They tell me things I didn’t know I needed to hear:
- That the moral path is often the loneliest—but worth walking.
- That dignity can survive inside a prison (Shawshank) or under systemic hatred (Schindler).
- That the smallest decisions (12 Angry Men) can ripple into something bigger than ourselves.
- That even a jaded man in Casablanca might rediscover his conscience.
- That beauty, sometimes, needs no words at all
This list may have addenda moving forward, as I continue my love affair with a darkened theater and giant images projected at 16 frames per second (or whatever the present digital description is). I'm already kicking myself for omissions that include The Elephant Man, Paths of Glory, It's a Mad Mad Mad Mad World, Inherit the Wind, The Quiet Man).
If there are any here you're not familiar with, I highly recommend seeking them out.
And if you've got a spare seat next to you when watching them for the first time, I'd be happy to accompany you.